The
Brand is a historical
fiction novel centered on the War of Independence at the American Colonies of
the 18th Century. This is an action-adventure saga focusing on
Anglo-Irish, Native American and women’s issues set against a revolutionary
backdrop. This revenge tragedy sets the major protagonists against an oppressive
regime in Northern Ireland, resulting in their migration to the Colonies to seek
vengeance against the forces of the Crown. They recruit among equally persecuted
groups in the Colonies, but find their loyalties questioned by the divided
leadership among the rebel Patriots. The conflict finds resolution as the
insurgents earn their victory and the Irishmen wreak their own vengeance at a
terrible price.
Colonel Keith
Blackmore has been entrusted to build the fortress at Boston Harbor, and
delegates responsibility for the gold shipment to Captain James O’Connell. The
Captain’s weakness is his daughter Beth, who has become sympathetic to the rebel
cause as an act of defiance against her father and the chauvinistic Colonial
society. Coleraine infiltrates the British stronghold in Philadelphia and seduces Beth,
convincing her to join their cause as an ace in the hole against the
British.
Ravernet next
sets up a meeting with Chief Raton of the Iroquois. Their suspicions
of the ‘peace-loving’ British are confirmed, and they agree to join Ravernet in
his sting operation. Coleraine seeks
to hedge his bets by reaching out to the Marquis of Catalonia, whose Imperial overlords in Spain are seething over their gradual relinquishment of
their territories to the British Empire. Ravernet uses his charms to
win the favor of the Marquis’ daughter Magdalene, who convinces her father to
support the Irishmen’s sting operation.
The British find
themselves cutting off their noses to spite their faces as they alienate
everyone involved in the fragile coalition. The women protagonists are treated
as chattel by their overlords, the Spanish as an inferior race, and the Indians
as uncivilized brutes. Though the schemers are reluctantly accepted by the
Patriots, men such as Benjamin Franklin find value in the conspirators and
eventually provide support to the bloody but successful act of
vengeance.
This work of
historical fiction has both action/adventure dynamics enhanced by romantic
interests and essential social discussions resonating with present-day
dialogues. The author’s trademark elements of irony, snappy dialogue and
Shakespearean tragedy stand in bold relief of this compelling page-turner. The
Brand is a cross-genre classic not to be forgotten.
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